Natural Wonders
Poems about Natural Wonders.
Season of Spores
One rain and they appear.
Along the trails—Tranquil Bluff,
Croghan, Juniper—
a cadence of feeding on the forest floor.
The scatter of moon-colored stuff
erupts from the mire, unfurls
a bric-a-brac of fluke and ruff,
lavender cap, topiary puff.
But no morels!
This field of mortal fruit
battens on decomposing soils,
is only good for witches’ spells—
and fun. Architects of the minúte,
a fleet of tiny galleons sails;
a solitary minaret
warns the faithless of their fate.
All rubbery flesh and radial gills,
so alien to what we know,
they are strange to the kingdom of chlorophyll
as marsupial to mammal.
We call out their colors—gamboge, ecru—
give them lofty airs—
Whose woods these are they think they know.
But what they do, and do with a will, is grow.
Outriders
from a parallel universe.
Foragers. Reconnoiterers.
John Barr/Mackinac Arts Council
Water’s Way
It takes 500 years for the ocean’s waters
to complete one trip around the earth.
National Geographic Society
The prodigal returned, a bride running late,
it races from the street,
climbs the plumbing in the walls
to the bathroom tap, then halts.
Water is weather. Pulled from swells
out where cyclones make the only news,
its vapor ladders latitudes to the pole,
refreshes bergy bits, brash ice, floes––
or crosses longitudes to fall
as shoures soote upon us all,
then drain away to aquifer.
Weather is God’s will writ small.
Water is extended metaphor:
Its antecedent, alchemic character
commonly denominates
all things, in compound or by temperature.
4 a.m. Fill the glass.
Let the molecule from Christ
stand again in human state
even as it quenches thirst.
John Barr/Innisfree Poetry Journal
Flyways
I used to think of them as marathoners
raised to a power of ten: seemingly
indefinitely able to postpone
over Olympic hauls (four, five thousand miles,
a quarter of the globe's waxed face)
the need to flop down, flabby with exhaustion
and wait for rest, in its own good time,
to bring a better state of being.
After the bouillon of Canadian lakes in bloom,
fingerlings grown too big, air filled with lateness,
they lift, taking in stride the variegated land,
brick bunkers of the Bronx, the lay of Central Park,
giving room to LaGuardian pterodactyls,
the prickle of hunters on the Chesapeake
with their coy deceits, out over open ocean,
the earth's hull visible…
the camber and bell and hollow bone
(as grasped in the sienna studies of Leonardo)
working well, minute adjustments of the tail
with inertial certainty
keeping well to the right
the wrinkle of burnt Sierras, one side snow;
the desert incised by rulered roads,
by rounds of irrigated green; large-mannered Mexico,
the Mayan rhythms gathering to isthmus–
until you pointed out, two days ago,
that neither does the heart (not the "heart"
but the heart as grasped in the dissections
of Michelangelo) need rest, seemingly
indefinitely able to maintain
a heading and speed, resting as it goes,
through day's distractions, night's curing cold,
inclement weathers of every sort
until, after years of regularity,
it comes to a Patagonia not seen before;
landing in this new non-flying it doesn't need,
it joins in the clamor of its kind;
on shingle, inhospitable but free of predators,
just above the surf's antarctic burn,
it assumes the nesting rights established
when the pole was elsewhere and the continents one.
John Barr/from Hundred Fathom Curve
Wisteria
"Mm," I thought of your slash-and-burn approach
to pruning. "Cut to the bone of bark, this one
won't come back." Here at summer's end
I am informed of my mistake.
Not sooners, not Jack's bean,
not the Persian Expedition
or the Crown of Thorns'
infestation of Pacific reef
bests this vegetable version of eruption.
Out of the ground in a surround of trunks
merged half to tree, hand over hand
up downspouts, stucco, the failed copper of gutters,
green creepers the windows barely hold
at bay declare, from the antenna's mast,
a quarter of the house rattanned.
Even now new shoots depart the mother bundles,
like biplanes execute slow rolls, shallow
dives, the stall. Their leaps of faith–of six feet,
more–into the yonder of their kind
try for anything at all: the lob,
the double helix, the lazy eight of infinity.
In lieu of sight a sure touch for what
comes next, they find the grounds for another try
or fail, canes braiding themselves to rope
in vacancy. They base in air
small Permian fronds, refreshingly thornless;
lavender puffs the blunt bees bore and buss.
Under the overhang, overwhelmed, I write
"Offspring of wistful and hysteria.
God in my garden, rooted good."
John Barr / from The Hundred Fathom Curve: New and Collected Poems
Monstera
I know it's in the nature of wonder not to last,
but wonder now at your tactile vigilance,
the quality of attention in this new leaf–
how, learning of light, it unfolds and contorts
in the slow acrobatics of your kind.
I am impressed by your tolerance for neglect.
Latitudes removed from your Latin roots.
you're spared the hazards of the rainforest
if not the usual affronts to household plants–
overwatered or, worse, left waterless.
You're old enough to have followed the neighbor boys
to war and back, but unlike them you self-renew
and never know old age. Had Ponce de León,
when he lay down to die, only known
Eternal Youth bloomed just above his head!
Given modicums of soil, water, air,
new meristems will never cease to grow–
and death for you need never come.
In a world without end you can arabesque,
flourish forever as a species of one.
Which makes my duties for your sustenance
less the chore of an inconstant gardener
than of a monk bringing to the temple
quantities of driest sandalwood
that the fire of fires may never die.
By John Barr/from Dante in China
Oyster House
Blue Point, Skookum, Kumamoto–
Malpeque!
In rings of a dozen they arrive;
each shell enthrones a puddled king.
Sitting with us, pitching in,
the hoplite scarfs his ostrean,
the lictor wolfs his ostrea,
the Breton gargles his huîtres.
All downed with a chalky, cheerful Chablis.
The piles of shells go out to the dumpster–
buttonized for jewelry,
pulverized for roadbed by the ton.
And what of you, Filter Feeders?
How do you answer the reavers–
waterman, starfish, gull–
out of deep time?
Let just one of you, turned female,
release 100 million eggs:
the tide dims, spat settle,
whole reefs rise
from your animal magnitude.
And why else would the murex
lift secretion to an art form,
if not for immortality?
John Barr / from Dante in China
Mapping The Interior
U.S. professor disappears during Japan valcano hike.
–CNN World, April 30, 2009
Volcanic eruption at Eyjafjallajökull, Iceland
–CNN Report, April 26, 2010
In April, Craig Arnold entered the volcano.
"Every day poets try to lose control
(I can hear him say although I never met him)
"in a productive way. The earth we know,
the one we don't: Poetry happens
when it can get its footing properly on neither.
"It's the manic in geology that interests me.
Not the Major Oils whose business is to
find and exploit transsexual oil and gas reserves.
We poets undermine the situate.
It's when energy is nearly not contained–
brio under stress, brisance–
that the human spirit can be rampant.
These are the conditions for grace under pressure.
"Immense, the work, to leave behind the gentled parts,
a lone man loggering, and probe the crags
of the infrastructure skull. Phrenologist's art,
to plumb the fractal welter, enigmatic surfaces
crusted with meaning, and enter the informed
enormity of fastnesses, deeps.
To stay the course–temperature rising toward Absolute Jesus–
down to the anatectic charge in the embers,
burnt chemical flowers of igneous on the boil,
the matter of tomorrow's fire.
A poet's visit, I can tell you, is something strange,
like deputizing the face of chaos."
April to April he traveled through the earth
exiting the eruption at Eyjafjallajökull.
"Living or dead we add no weight to the dead weight
of a trundling planet. Our spark weighs naught as a neutrino
but is the imperiled particle of Original Resolve."
2012: a record year for solar storms.
Craig has his eye on those as well,
the hydrogen fire, bright button of awarded sun.
_____________________________________________
Eyjafjallajökull: AY-uh-fyat-luk-YOE-kuutl-uh
John Barr / from Dante in China
The Nature of Knowing
Ineluctable modality of the visible.
James Joyce
Before first light, the first first light–
more night than not–
when what you know is still your own.
In minutes it will be too late,
shape and color
make the strange familiar.
An hour from now the sun will flood
the trees with certainties
demanding to be understood.
The agency of objects will insist,
and your life as intuition
for this day will be lost.
John Barr / from Dante in China
